Miruna Doicaru (2016) Gripped by movies: From story-world to artifact absorption

Claire Dupté la Tour (2016) Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L’exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916)

Rianne Siebenga (2015) Indians in View: The Representation of British Indians in magic lantern presentations, films and on postcards, 1870-1915

Junting Zhang (2015) HERO and the Chinese Cultured Blockbuster: Visual Style, Vernacular Tradition, and Commercial Strategies

Dafna Ruppin (2015) The Komedi Bioscoop – The Emergence of Movie-going in Colonial Indonesia, 1896-1914.

Sarah Dellmann (2015) Images of Dutchness : Popular Visual Media, the Emergence of National Clichés and the Creation of Supposed Common Knowledge about the Netherlands and the Dutch (1800-1914)

Qijun Han (2014) The Ties That Bind. The Chinese American Family in Transnational Chinese Cinema

Fransje de Jong (2013) Joodse ondernemers in het Nederlandse film- en bioscoopbedrijf tot 1940

Clara Pafort-Overduin (2012) Hollandse films met een Hollands hart. Nationale identiteit en de Jordaanfilms 1934-1936

Douglas Rushkoff (2012) Monopoly Moneys. The media environment of corporatism and the player’s way out

Eef Masson (2010) The Pupil in the Text: Rhetorical Devices in Classroom Teaching Films of the 1940s, 1950s and Early 1960s

Giovanna Fossati (2009) From Grain to Pixel: The Archival Live of Film in Transition

Mirko Tobias Schäfer (2009) Bastard Culture! User participation and the extension of cultural industries

Britta Hartmann (2008) Zur Initialphase des Spielfilms

Imar de Vries (2008) Tantalisingly Close: An Archaeology of Communication Desires in Discourses of Mobile Wireless Media

Stephen Bottomore (2007) Filming, Faking and Propaganda: The Origins of the War Film, 1897-1902

Bregtje Lameris (2007) Opnieuw belicht: De pas de deux tussen de filmmuseale praktijk en filmhistorische debatten

Mustafa Özen (2007) De opkomst van het moderne medium cinema in de Ottomaanse hoofdstad Istanbul, 1896-1914

Rudmer Canjels (2005) Beyond the Cliffhanger: Distributing Silent Serials. Local Practices, Changing Forms, Cultural Transformation

Wolfgang Fuhrmann (2003) Propaganda, Sciences, and Entertainment : German Colonial Cinematography: A Case Study in the History of Early Nonfiction Cinema

Nanna Verhoeff (2002) After the Beginning : Westerns Before 1915.
Published as The West in Early Cinema. After the Beginning

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